Paper Trails, Chain Reactions

August 20, 2025
at
7:00 pm
Arverne Cinema Outside

7:00pm MUSIC: Blk.wav feat. Frae-Frae & Shelley Nicole

8:00pm PAPER TRAILS, CHAIN REACTIONS

Guest curated by Lilli Carré 

A collection of tactile animated films created on paper, using the constraints, techniques, and tooth of the page. Residue of actions and cycles reverberate in these films, in which mysterious scenarios and personal histories are fused and made tangible.

ECTO PETROL PATROL

by Matthew Thurber. 2018, US, 1.5 min.

A straight-ahead watercolored xerox flicker animated compressed supernatural thriller road movie trying to unite themes of handwriting analysis, spirits, and internal combustion.

ANGELS GOING TO WORK

by Nora Rodriguez. 2021, US, 3 min.

Angels Going to Work is built from audio of my mother and grandmother discussing anxiety in the night. I’m interested in stories that take the shape of a spiral, routines—like the return to bed—that begin to outline larger stories. They are often about the ways loss finds form in the grooves worn into daily life. Like a hole thrown on a cartoon wall, they make physical what is only an absence.

SANS QUEUE NI TÊTE

by Sandra Desmazières. 2001, France, 6.5 min.

A nonsense day.

DAY OF NOSE

by Atsushi Wada. 2005, Japan, 8.5 min

A haptic animation with comfortable noses. I wish everyday was a day of nose.

FIFI VA A LA PLAGE

by Kathryn Roake. 2014, US, 5 min.

A playful female dog who likes other female dogs gets into trouble at Coney Island.

BUSY BODIES

by Kate Renshaw-Lewis. 2025, US, 6 min.

Busy Bodies is a hand-drawn animation that combines inkjet and screen printing techniques. Inspired by Rube Goldberg machines, the film explores the undisclosed production journey of easily disposable objects.

BRITNEY SPEARS: DIARIES, NOTES, & SKETCHES

by Sam Gurry. 2024, US 1.5 min

"It’s about nothing, about everything, it’s about life." - Jonas Mekas.

"Every time I try to fly I fall without my wings, I feel so small" - Britney Spears.

An animated fanzine. What it would mean to take the ecstatic, the excessive, and the feminine seriously. What if fandom was a film theory?

OBJECT CONVERSATION

by Paul Glabicki. 1985, US, 9.5 min. 

A series of source objects (scissors, a barbell, piano, boxing ring, ladders, an hourglass, an arch) are presented, defined, demonstrated, discussed, spoken about, juxtaposed and progressively re-invented during the course of a multi-layered visual and aural "conversation." The film plays with language, the viewer's memory, assumptions about "familiar" objects, associations and gender, puns, hieroglyphic forms and conscious and unconscious processes of thinking and perception.

UNSUBSCRIBE #1: SPECIAL OFFER INSIDE

by Jodie Mack. 2010, US, 4 min. 

A stroboscopic archive of 2010-era security envelopes from paychecks and student loan bills, cello by Christy LeMaster.

THE POETRY WINNER

by Jennifer Levonian. 2012, US, 7.5 min.

Part documentary and part fiction, The Poetry Winner was made after a 24-hour artist residency at Bryn Mawr College over Commencement 2012. I tried to capture the spirit of college commencement as well as the college student’s messy process of self-discovery.

MASTER OF CEREMONIES

by Chris Sullivan. 1987, US, 9 min.

Death arrives as a late night custodian. In honor of its victims, a consolation variety show is performed. Drawn in silver pencil on brown paper.

BLACK LONG SKIRT

by Hoji Tsuchiya. 2010, Japan, 9 min.

The shadow of a woman enters the life of the tuxedoed man. Eventually, he began to chase after the shadow of the woman.

Post-screening conversation with Nora Rodriguez, Jodie Mack & Kathryn Roake.

Purchase a shell pass for access to all festival screenings.

Part of

Rockaway Film Festival 8
August 20–24, 2025
View Program
Rockaway Film Festival would like to thank VBX™~Vernam Basin Terminal for generously hosting us at the Arverne and Annex Cinemas in addition to BBX™~Barbadoes Basin Terminal for contributing to such.
We are proud to be sponsored by Blundstone®, Istic Illic Pictures, and NYC Ferry. Rockaway Film Festival made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Rockaway Film Festival is funded in part by an award from the National Endowment for the Art. We receive additional support from Queens Borough President Donovan Richards.
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